Sony HDR High Definition Handycam Camcorder


 Sony HDR High Definition Handycam Camcorder

Sony HDR High Definition Handycam Camcorder
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Sunday, June 11, 2017

HDR-AS300R Action Camera

HDR-AS300R Action Camera

HDR-AS300R Action Camera


HDR-AS300R Action Camera

Sony HDR-AS300R Action Camera + Live View Remote & 32GB Accessory Bundle
HDR-AS300R Action Camera

  • Sony HDR-AS300R Action Camera + Live View Remote Kit
  • Bundle includes: Sony 32GB micro SDHC Class 10 UHS-1 Memory Card
  • Yellow Floating Buoy with Wrist Strap
  • Digpro Compact Deluxe Gadget Bag
  • Microfiber Cleaning Cloth - Card Reader - Mini Tripod - 3 Piece Cleaning Kit - Memory Card Wallet - BX1 Battery - Charger

HDR-AS300R Action Camera

Stunningly stable images with Balanced Optical SteadyShot. Make Full HD POV movies of travel and everyday fun. Capture stable images as never before with Balanced Optical SteadyShot. Shoot anywhere with Action Cam real-world rugged design. Action Cam and Live-View Remote team up More than just wristwear, this compact new remote controller also doubles as a mountable controller for convenient use with many optional accessories including Finger Grip. Smart remote pairs with friendly UI Get tighter teamwork between Action Cam and Live-View Remote via identical user interfaces. Take full control to turn the camera on/off to save battery power.

HDR-AS300R Action Camera

The camera can also be turned on/off via smartphone with PlayMemories Mobile. Display your Action Cam route Built-in GPS shows where you've been. Location tracking and speedometer can be viewed on the movie image when you use Action Cam Movie Creator. Highlight Movie Maker detects faces In-camera Highlight Movie Maker immediately makes a short highlight movie with your favorite music for sharing. Faces as well as action are detected and used in your movie. Create 4K Time-lapse movies Use 4K Time-lapse Capture to shoot a series of stills of a scene over a period of time. Then edit the entire sequence with Action Cam Movie Creator into a 4K Time-lapse movie. Action Cam App can create a Time-lapse movie in Full HD. Rugged shielding for real-world conditions You're ready to shoot with the right protection. The Action Cam body alone is splashpro...

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HDR-AS300R Action Camera

Wednesday, May 8, 2013

5 Keys to Designing an IP Camera System

5 Keys to Designing an IP Camera System





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5 Keys to Designing an IP Camera System

When designing an IP camera system it can be quite different from a traditional system. Below are five key areas to focus on when laying out your new IP camera system. Starting out with an overall plan for your new IP camera system is critical to the overall success of the project. Using the 5 key success factors that are described below will help you to achieve a successful IP camera system installation.

1. Knowing your distance limitation - In traditional camera systems, coaxial cable could easily be pulled up to 1,000 feet from the camera to the recording equipment without difficulty. In the world of IP cameras, we are limited to only 100 meters or 300 feet. For smaller buildings, this may not be a problem but for larger buildings, this can be a hurdle that needs to be overcome. Placing cameras in the appropriate locations is the first step but your IP camera system needs to have Intermediate Distribution Frame or IDF locations. Typically, IDF's are network switches that are located throughout a building. These network switches link network traffic back to a Master Distribution Frame or MDF. The MDF is typically a server room. The Network Video Recorder or NVR would be located in the MDF. Cameras can then be connected to any IDF or MDF location. Strategically locating the IDF's throughout the building allows for easy scalability and future expansion of the system.

2. Calculate your storage requirements - Megapixel cameras can mean large storage needs. Depending on the compression technology used to store the video can drastically change your storage requirements. These are storage calculators that determine the amount of storage required for a camera system. Using these calculators requires you to have the following information:

a) The approximate frame size of each image and the compression type used.
b) The number of frames per second you are going to record.
c) The number of days that you need to store or archive the video.
d) The approximate percentage of motion activity the camera will record in a day.
e) Number of cameras that the system will have installed.

Inputting this information into the calculator will then give you the amount of storage that will be required by the system. Always remember that as you add cameras to the system your storage retention will be decreased. Allow room for future storage expansion as you add additional cameras.

3. CMOS vs. CCD IP cameras - Deciding on the type of chip is an important choice. This decision is one that comes down to seeing is believing; have the cameras demonstrated at your site in the most difficult lighting conditions. CMOS chips are typically less expensive and offer high mega-pixel values. The down side to CMOS chips is their performance under low lighting conditions. Having the cameras demonstrated at your site or seeing a live demonstration at a vendor's site is the best way to determine whether to use CMOS or CCD chip cameras.

4. Using CAT5e or CAT6 for your new IP system - The difference between these two cables is the speed of the data transmission. CAT5e cable transmits at speeds up to 100MHz where CAT6 cable can transmit up to 1GHz speeds, which is 10 times faster. A standard mega-pixel camera uses about 6Mbps of bandwidth, this is far below the 100MHz possible on a CAT5e cable. Using CAT5e cable is fine for connecting a single camera to IDF or MDF location. The reason for looking into using CAT6 cable is that no one knows what the future holds. Pulling CAT6 cable may be a smart choice to help ensure that the cable you install today will provide service for cameras that have yet to be invented. Investigate the price difference and look at your options.

5. The benefits of PoE - PoE or Power over Ethernet allows you to have a single cable supply power to the camera as well as transmit the video data. PoE is a great way to save on cable costs and installation. In order to use this technology you have to use either a PoE network switch or a midspan. A midspan is a device that injects power onto the network cable. Deciding which to use will depend on your existing infrastructure and power needs on the system.

Considering the above five key areas when designing your new IP camera system will help ensure that you have a properly designed system. Remember to consider future expansion and scalability of the system, network bandwidth requirements, and allow for future technology that may not exist yet. IP camera systems require planning ahead. Using the information above during your security planning stages will help ensure a successful installation.


5 Keys to Designing an IP Camera System

Video Camera

Video Camera

5 Keys to Designing an IP Camera System


5 Keys to Designing an IP Camera System
5 Keys to Designing an IP Camera System

Video Camera

5 Keys to Designing an IP Camera System


5 Keys to Designing an IP Camera System

5 Keys to Designing an IP Camera System
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Tsunami Caught On Camera FULL MOVIE





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ItemTitle

Tsunami Caught On Camera FULL MOVIE


Tube. Duration : 72.08 Mins.


Tsunami Caught On Camera FULL MOVIE
NO PARTS copyright was not intended WARNING: This movie is very intense and graphic, It may make you cry. Viewer Discretion is Advised. It is rated TV-MA SOM...
Tsunami Caught On Camera FULL MOVIE

Tsunami Caught On Camera FULL MOVIE



Tsunami Caught On Camera FULL MOVIE



Tsunami Caught On Camera FULL MOVIE

5 Keys to Designing an IP Camera System

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5 Keys to Designing an IP Camera System


5 Keys to Designing an IP Camera System
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Friday, April 26, 2013

Police surveillance video from UCF apprentice suicide

Police surveillance video from UCF apprentice suicide





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Police surveillance video from UCF apprentice suicide


Tube. Duration : 10.35 Mins.


Police surveillance video from UCF apprentice suicide
A video camera mounted on a UCF Police Officer shows the inside of the dorm where Monday's suicide occurred. Discretion is advised.
Police surveillance video from UCF apprentice suicide

Police surveillance video from UCF apprentice suicide



Police surveillance video from UCF apprentice suicide



Police surveillance video from UCF apprentice suicide

Monday, April 8, 2013

CCTV Cameras - What to Look For in Buying Quality Video Surveillance

CCTV Cameras - What to Look For in Buying Quality Video Surveillance





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CCTV Cameras - What to Look For in Buying Quality Video Surveillance

CCTV Cameras come in a variety of shapes and sizes. There are several factors that determine the correct camera at a given location and for specific applications.  One size does not fit all in security cameras, and the proper design takes into effect lighting conditions, location, and the view, or views required.  Place a standard color camera in a low-light condition and you will find a poor video, "grainey and noisey" as the camera struggles to see.

Video security cameras are either standard color cameras, Day/Night cameras, or in infrared cameras. . They also come in fixed, meaning they view one specific location, or Pan-Tilt-Zoom cameras that allow the operator to move the camera in a 360° area and optically zoom in on specific locations. A standard retail environment will have both indoor and outdoor cameras, fixed and PTZ, with exterior and interior doors entrys and exits covered. 

Its A Resolution

Analog cameras are measure in the number of "TV Lines" meaning the horizontal lines that make up the camera video on the screen.  The more the better.  Typical cameras 5 years ago measured 380-420 TVL as the typical resolution.  Today, 540 TVL is a standard resolution for analog CCTV Cameras.  IP Megapixel cameras are breaking this barrier with horizontal lines measure in "Megapixels." A 3.1 megapixel camera has over 2000 lines!  The price is the determining factor (surprise) as IP Megapixels are today, MegaBucks!

So, if you have a big budget, spring for a few Megapixel Cameras, for all of the other cameras focus on 540TVL and above resolution  CCTV analog cameras.

 Day/Night Modes

An important factor in cameras is the lighting at night.  Are there parking lights?  Is it pitch dark?  If there is limited lighting, a Day/Night camera is your choice.  Its color during good lighting, and switches to B/W for low-light views.  The key technical spec on lighting is the LUX rating.  The lower the better!  Standard color indoor dome camera may have a LUX of 0.1 and a Day/Night will have a .001 or better. Go read/search for details.

Infrared Cameras

Infrared (IR Cameras) are all the rage in camera introductions.  2nd only to IP Megapixel cameras.  Having the ability to see both day and night, IR Cameras have IR LEDs that are beyond what the human eye can see, but the camera picks up the IR light flashes the constant Flashlight allowing you to see in total darkness.

PTZ Cameras

Got to have one!  A fixed camera is like having a one-eyed guard stand watch.  He never blinks, never stops watching.  A PTZ robotic camera is like having the same guard but he can move around and has a set of binoculars to get close-up shots.

There is a difference in a camera and a good quality 0 camera in many cases. IP megapixel cameras at 0 or so, will be a distant memory hopefully soon as volumes increase.  Whether its an economical or professional purchase, choose the right camera for your application.


CCTV Cameras - What to Look For in Buying Quality Video Surveillance

Video Camera

Video Camera

CCTV Cameras - What to Look For in Buying Quality Video Surveillance


CCTV Cameras - What to Look For in Buying Quality Video Surveillance
CCTV Cameras - What to Look For in Buying Quality Video Surveillance

Video Camera

CCTV Cameras - What to Look For in Buying Quality Video Surveillance


CCTV Cameras - What to Look For in Buying Quality Video Surveillance

CCTV Cameras - What to Look For in Buying Quality Video Surveillance
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GoPro: Searching for Slater...





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GoPro: Searching for Slater...


Video Clips. Duration : 4.27 Mins.


GoPro: Searching for Slater...
Shot 100% on the HERO3® camera from http://GoPro.com. Target: Located. Find the elusive Kelly Slater as he rips through the perfect waters of Tahiti. Featur...
GoPro: Searching for Slater...

GoPro: Searching for Slater...



GoPro: Searching for Slater...



GoPro: Searching for Slater...

CCTV Cameras - What to Look For in Buying Quality Video Surveillance

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CCTV Cameras - What to Look For in Buying Quality Video Surveillance


CCTV Cameras - What to Look For in Buying Quality Video Surveillance
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Thursday, March 28, 2013

How to Make a Time-Lapse Video With Your Digital Video Camera

How to Make a Time-Lapse Video With Your Digital Video Camera





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How to Make a Time-Lapse Video With Your Digital Video Camera

Getting the most out of your digital video camera can mean being able to create some really cool stuff. You just have to step outside the manual a bit and find the cool things you can do with your digital video camera and your editing software.

We have all seen them in a movie or a TV show, those very cool shots where they speed up time and capture a long segment of time and condense it into a very short amount of video. An example is many of the TV news stations nowadays have a camera that captures the day's weather and then they process it down to a 20 second clip to show the clouds and weather racing by on screen.

Well this technique is not just a tool in the hands of the movie makers or the big TV stations. You can do this with your digital video camera gear too. I will go into two ways that you can accomplish this effect and get some cool results for your next video project. This one is worth playing around with in order to find the right settings to get the most dramatic effect.

Technique number one is to use the camera itself to do the time lapse recording for you. Almost all digital video cameras have the ability to do an interval recording. What this means in a nutshell is that you tell the camera how long you want to record for and how long in between recordings and it will go on autopilot for you for as long as the battery lasts or the tape runs out. This is what those cameras at the convenience store do, they record a few seconds of motion every 30-60 seconds giving the overall view of the traffic in the store over time.

Now if you want to capture some time lapse in your digital video camera you will need to get into your cameras menu and find Interval Recording (or in my case Int Rec, as I use a Sony PD 150 for my camera) When you select this option you will decide how long of an interval between shots you want and how long to record each time. If you are trying to capture something that takes a long time to occur and in which not much happens quickly you will want to set the interval at around a minute and the record time as short as possible on your camera. An example would be if you wanted to record a day in the life of a flower or the clouds rolling by in the sky. Suppose however that you want to capture an event that has lots of action and occurs over a much shorter time frame. Then you would want to shorten the interval between recordings and increase the time of each recording. So in this case you might record every 15-30 seconds and record up to 2-3 seconds of video each time.

I used this technique to capture an afternoon of work being done by a team of carpenters on my house remodeling project. The result was a flurry of activity as workers raced hither and yon nailing boards, carrying equipment and building walls. I have added it to my photo collection of the project. (Hey I had to live through the project so I might as well have a great record of it for posterity!)

Now suppose you have one of the great software video editing packages on your computer to work with your digital video camera. Now you can do it in post as they say in the business. You can record any length of video you want (subject to the limitations of your tape length) and then import it into your editing program.

Sidebar:

I use Adobe Premiere Pro for my editing jobs, but I have also used Avid DV Express, Final Cut Pro, and others in the non linear editing world. These are all great programs and are very powerful products that can create some very professional looking videos. You don't have to have these products to create your own videos but if you are serious about digital video editing it might be a good idea to take a look at these options.

I digitize my raw video of the scene I am doing time lapse on into my computer (big hard drive, video eats up GB's of space) and then import the clip into my time line. From the timeline you can then select the clip with a right click. From there you will be given a menu with options depending on the software you use. Select the option that says "duration", "speed" or something similar. Change the speed of the clip so that time will speed up considerably. If you have an hour of video in the clip and want to shorten it to 2 -5 minutes then you need to increase the speed of the clip to 3 or 4 thousand percent of normal. This will require your software to render the clip at the higher speed and may take some time top process depending on the speed of your computer.

Once you have rendered the video clip at the new speed you will want to play it to see if the movie flows evenly or if you will want to readjust the speed setting to make it better. Sometimes you may want to shorten your raw video and adjust the speed down somewhat in order to get a smooth flow of action. Once you have rendered the clip at the new speed you can now cut and splice it as you see fit with the speeded up action intact. There are some things you will record that might only need a slight speed change, take for instance some digital video of your kids playing sports. Double or triple the speed of the clip and show it to them and you might have them rolling on the floor.

You can also use these techniques to capture the growth of a flower or plant over the course of days or weeks. Simply set you camera in exactly the same place at the same time each day and record an interval that works each day fro however long you want to document. May be you get the seedling just breaking soil and follow it all the way through turning into a full grown plant.

Another interesting idea is to capture the path of the moon across the night sky. Set up your camera on a tripod in a spot that can see the path of the moon for several hours. Set the camera to interval record and put the moon on one side of the frame so that it will pass across the frame as the night passes. This one may require some testing in order to get the exposure and framing right as well as the right interval to record at. Most likely you would want to set the interval as long as you can and the record time as short as you can but do a test run first to see what works.


How to Make a Time-Lapse Video With Your Digital Video Camera

Video Camera

Video Camera

How to Make a Time-Lapse Video With Your Digital Video Camera


How to Make a Time-Lapse Video With Your Digital Video Camera
How to Make a Time-Lapse Video With Your Digital Video Camera

Video Camera

How to Make a Time-Lapse Video With Your Digital Video Camera


How to Make a Time-Lapse Video With Your Digital Video Camera

How to Make a Time-Lapse Video With Your Digital Video Camera
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How to Make a Time-Lapse Video With Your Digital Video Camera

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How to Make a Time-Lapse Video With Your Digital Video Camera


How to Make a Time-Lapse Video With Your Digital Video Camera
How to Make a Time-Lapse Video With Your Digital Video Camera



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How to Make a Time-Lapse Video With Your Digital Video Camera
How to Make a Time-Lapse Video With Your Digital Video Camera


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Saturday, March 16, 2013

Timelapse photography tips from alpha to end

Timelapse photography tips from alpha to end





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Timelapse photography tips from alpha to end


Video Clips. Duration : 12.98 Mins.


Timelapse photography tips from alpha to end
Download Timelapse template: http://lightroom-blog.com/presets/lrtimelapse.zip Everything you need to know to get started in shooting and creating timelapse ...
Timelapse photography tips from alpha to end

Timelapse photography tips from alpha to end



Timelapse photography tips from alpha to end





Timelapse photography tips from alpha to end

Monday, March 4, 2013

How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC

How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC





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How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC

I bought my Panasonic NV-GS11 video camera from eBay and for the cost, it seemed perfect. I liked the feel of the camera, it's simplicity of use, until I tried to transfer my movie to a PC and that's when the trouble started!

Normally, when you connect a camera using the USB connection, your PC recognises the device and you can use it straight away. I had no end of problems getting the PC to do this and I thought the driver was at fault.

The answer, in hindsight, is that in the menu there are 2 items for the USB Function, "web camera" and "DV Studio" - the software for acquiring still photos from the camera. Choose "web camera", connect your camera to the PC via the USB connection and switch on the camera using the Playback mode. Check "My Computer" and there should be a video camera icon with "USB Video Device" beside it. Double click onto this icon will open up a page, where if you start your movie from the camera, you can see the results on the PC screen. Unfortunately, there's nowhere on this page where you can save the movie itself.

I searched with Google and found the answer. Many people had the same issue but there didn't seem to any answers. Eventually, I found one reply on a forum way down the page which provided the solution.

Download Windows Movie Maker from the Microsoft page. This is for Windows XP:-

http://www.download.com/Windows-Movie-Maker-Windows-XP-/3000-13631_4-10165075.html

Open Movie Maker and you will see " Capture from video device" This allows you to save your movie into a directory of your choice and later burn the movie onto a CD using your favourite software.

I hope this is of some help to you all with the same problem I had. If you need any further assistance, drop me an email to brianparkin@parkinspatch.com


How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC

Video Camera

Video Camera

How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC


How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC
How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC

Video Camera

How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC


How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC

How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC
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Game Front Update - Final E3 Thoughts and Lollipop Chainsaw - Episode 12


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Game Front Update - Final E3 Thoughts and Lollipop Chainsaw - Episode 12


Video Clips. Duration : 15.73 Mins.


Game Front Update - Final E3 Thoughts and Lollipop Chainsaw - Episode 12
Mitch and James recount their experiences at E3 and then offer up some thoughts about Lollipop Chainsaw and games in the upcoming weeks while Zac stares awkwardly at the camera.
Game Front Update - Final E3 Thoughts and Lollipop Chainsaw - Episode 12

Game Front Update - Final E3 Thoughts and Lollipop Chainsaw - Episode 12



Game Front Update - Final E3 Thoughts and Lollipop Chainsaw - Episode 12

Game Front Update - Final E3 Thoughts and Lollipop Chainsaw - Episode 12

How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC

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How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC


How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC
How to Save a Movie From a Panasonic NV-GS11 Video Camera to a PC

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